Many things give me story ideas. The obvious is PEOPLE WATCHING.
Listening to dialog, whether it’s in a restaurant, on a bus, or at a coffeehouse—my ears and senses are wide open for the way a person walks, the tone of their voice, their clothes, the topic of conversation, and, of course, the emotions locking into their face. I press play on my imagination to record what I see and hear. Eavesdropping is the best way to find story lines, infuse a character description, or spice up the story’s dialog. Continue reading